Sara Gómez

Sara Gómez aka Sarita Gómez (November 8, 1942 – June 2, 1974) was a Cuban filmmaker. As a member of (ICAIC; English: Cuban Institute of Cinematographic Art and Industry) during her early years, she was one of only two black filmmakers in attendance. She was the institute's first and for her lifetime, Cuba's only, woman director. Gómez is known for her first and final feature-length film (released posthumously, 1977).

Gómez was a revolutionary filmmaker, concerned with representing the Afro-Cuban community, women's issues, and the treatment of the marginalized sectors of society. Her work highlighted inequalities of social class, as well as racial and gender discrimination. She used the lens of her camera and ethnographic knowledge to narrate histories about everyday lives in revolutionary Cuba.

Gómez filmmaking identifies the problems of colonialism, specifically experienced by previously marginalized communities (black people, women, poor, religious, and young people) who were unaware of the possibilities of a better future. "Exposing the roots of the world that had to be left behind and demanding the arrival of the future: her mission was to allow these communities to understand the process of what was happening in their lives, their needs, and possible departures." Provided by Wikipedia
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by Twain, Mark
Published 1949
Other Authors: '; ...Gomez, Sara...
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